Archive for August, 2011

Love Till Her Waistline

A guest contribution by the lovely Erotic Indian Girl. I keep telling her she should get her own blog, she’s talented! Hopefully she’ll listen to me soon. In the meanwhile, enjoy!


Love till her waistline

Did you plan this, she asked.
No, but in all honesty,
I have always wanted it,
He said.

Did you like it, she tensed.
Did you ever feel
Like I did not,
He smiled.

What, then, did you like,
She demanded.
He did not answer
That one.

Turning her over, instead
Gently, he ran his smooth touch
One like she had never dreamt
Or felt before;
The back of his fingers
Fanning over her back,
Like a peacock feather
Back again,
To her waistline.

What was his touch made of?
Silk, ambrosia,
The tautness of his guitar’s strings,
The blessings of angels,
Or the ironic contrast
Of his own hard workouts?

Whatever it was,
That exquisite caress
Was tracing, now
That faint line that led
From her hips
To the place
Below her waistline.

They did not make love,
For his was only hers
To ask, but not take,
To feel, but not keep.
For it was long gone;
My mind rules my heart now
Why don’t you see, he said.
And so, his love ended
At her waistline.

Then she reached out
To where her chandelier earrings lay,
Lit up and sparkling
Under the soft drink hued light;
She would never see him again, she knew,
And kissed him, wet and lingering,
A happy birthday.

And thus, their brief love
Just, at her waistline.

– Erotic Indian Girl


Do let her know what you think, both here and on twitter!

– Sin

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Yes, Hina Rabbani Khar, she of the perfect jawline, incredible features, glowering sultry looks, fashionable sunglasses, Birkin bags and perfectly coiffured salwar-suits, came and went. This isn’t about her.

This is about another Pakistani lady whom I happened to see via my other new love, Coke Studio. Her name is Meesha Shafi, and she’s the most sensual being I’ve seen for some time now, angular face, flaming lips, sapling-like arms, thin waist and all. Naturally, the question arises, Why?

I’m going to ask you to read this, before you go clicking on the link I’ve given below. Its one of my more-liked songs on CS, “Alif Allah” sung by Arif Lohar, accompanied by Meesha. When we see Meesha first, she’s just warming up, singing “ae we allah waaliyaan di jugni ji  (indeed, this is the Godly Ones’ Spirit-being)”, a humming, so to speak with minimal movements of her body, testing the waters of where the song would go. We also see a close-up of her face, eyes shut, immersing herself, getting the grooves right, synchronizing with the instruments, not letting it all out, holding some things back in.

And so on,

“ae we nabi paak di jugni ji (indeed, this is the Holy Prophet’s Spirit-being);

ae we maula ali waali jugni ji (indeed, this is the Spirit-being devoted to Ali, the Friend of God)

ae we mere peer di jugni ji (indeed, this is my Pir’s Spirit-being)

ae we sar-sabaz di jugni ji (indeed, this is the long-living Pir’s Spirit-being)”

All lines repeated twice, and by the end of the chorus, she’s into the song. She’s tested the waters, found it cold enough for her liking and now she’s wading in. The shoulders start rocking, back and forth and sideways, and the movements proceed to her legs, which don’t move but instead transmit it back to her shoulders which rock even more. All this, almost imperceptibly, through her waist and her bosom which is hidden and yet not. I’d wager she knows belly dancing. Or has studied it for a part somewhere, but she knows the basics. The trick in the movements of the waist lies in the legs, and in not moving them, which she executes to perfection here.

Moving on, at “dum gutkoon”, when the camera moves in for a close-up of her face, blood flows, and you know where. I am sure she never intended it to be a blowjob-face, but there’s nothing else I can think of for those few precious seconds.

The song is moving along nicely now, both singers have gotten into the groove completely and along with the orchestra, are making wonderful music. For the next couple of minutes, its a wonderful interplay between Arif and Meesha. Meesha moves, sideways and back and forth and with her eyes closed, singing, moving her lips. Now, I’m going to ask you to imagine. Meesha keeps her left hand on the microphone all the time and with her right hand, counts the beats or whatever it is that she does. Imagine the mic to be your cock and her fingers tapping on your balls. For the next few minutes, as she moves ever so closer, and then away and back to the front again, her mouth so tantalizingly close to your dick, it is as perfect an imaginary blowjob that I’d ever like to receive. Also, she never stops moving her body, you see, adding an element of urgency to the act.

At the 4:00 minute mark is one of my favorite parts of the song. Meesha breaks into a dazzling smile at Arif (there’s one more at 6:30), and this part is pivotal. Arif is a jolly good singer, but for me he’s just an add-on. His performance, for me, is like that of the clowns at a circus before the lion-tamer comes in to close the show. Except that here its a lioness and she’s not into the taming bit. Maybe, to put it a tad more generously and accurately, Arif’s the Santa Claus who’s given me the present of Meesha.

Just after that there’s a segment which, if you’re not into the whole blowjob thing yet, leaves you no option but to enter into it. Her actions are so exaggerated, so in your face (or on your cock, if you’d prefer) that its pretty hard for me to see this part without actually, you know, getting hard. But that’s just me, of course. Especially the places where she goes “Koiiii…”. And at 4:39, there’s a cocky smile which makes my heart skip a beat, every single time.

The best thing about the song (and when I say the song, I mean the song as well as Meesha’s performance in it, which for me are two separate yet interconnected things) is how well it flows and similarity to really good sex. Begins slowly, with the foreplay, gets into a good gear where everyone’s having fun and really enjoying it,  some girls looking on wanting to be in the middle of the action, a man who knows his craft, a woman who’s slutty yet sexy (and really flexible), lots of movement, slight changes in tempo for some spice, and to establish a base for the final push ahead, and then the final frantic rush, faster, faster and climax. Phew.

(Psst, go to this link, and see the BTS video of Alif Allah to catch a glimpse of Meesha in the most adorable glasses.)

However, for an unadulterated dose of Meesha’s sensuality,one must look further to the other song that she performed with CS, “Chori Chori”. This one has everything, the grind, the mic-holding (or cock-holding), the exaggerated red lipstick, the crooning voice and an overcast cloud of sexual tension. Enjoy!

One of the best pictures of Meesha I’ve found is this:

The almost-closed eyes, the half-smile, the sense of completion that comes from the pic, everything reminds me of post-coital bliss. Aahh, the joys of a great imagination, I tell you…

I hope you enjoyed listening and watching her as much as I did, in the way that I do. She is a complete sensual experience in herself.

I must end with the oft-asked question: Are there no non-beautiful women in Pakistan?

Look at that damn ridiculous necklace!


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In sleep, at night, you don’t let me close my eyes / Awake, I am asleep.

Give me back my dreams at least / A break from the omnipresence of you.

I miss you even when you’re there / Right in front of me talking, laughing, being.

And I miss you when you’re not / Invisible atoms on a flashy screen.

This shouldn’t be happening to me / I thought I was beyond.

You pulled me back / And now there’s no escape.

The worst part is / I wish to be your slave.

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